The Trades: Wind River (2017)

My family is one of recommendations and I am no exception. If we like something, we are both surprised if you haven’t been made thoroughly aware of it yet, and demanding that you correct your egregious ways. We’re also the types of people who, if you recommend something to us, our interest in that subject plummets.

To that end, my family and I (my Mom, Dad, and brother, Mike) have come together and invented “The Trades.” For every one recommendation given a recommendation must be received. Through this simple agreement, we’re all taking steps toward watching movies that we would have lied about seeing for decades to come.

Additional rules have been added over the weeks to keep things civil. For example, we can’t recommend movies from genres that we know the others don’t like (ie: No horror for mom and dad) and since we know each other so well we need to try not to recommend movies we’re aware they simply won’t enjoy.

But…there’s no time stamp on when those recommendations need to be watched by, so I have already started to slip back into my “I don’t really watch a lot of movies lately” mentality. So, I am taking this a step further and am going to review the recommendations that I receive in as part of The Trades.

The first trade was made between my parents and myself. In exchange for my making them watch one of my favorite movies (Predestination), my parents recommended Wind River, starring Jeremy Renner and Elizabeth Olson.

Wind River follows a small rural town as they are struck by what seems to be a murder. A woman is found 6 miles from civilization in the coldest parts of the world and her lungs have exploded from the cold. Elizabeth Olson plays an FBI agent who’s small and female so everyone assumes she’s useless. This gives her plenty of opportunity in this modern day “Western” to prove that she’s more than capable enough. Jeremy Renner is a local predator hunter who is well known for his tracking skills and knowledge of the area. He offers to help Olson solve what’s going on here, and the resulting scenario is both amazing and tragic. These are A-list actors who didn’t phone it in with a modern cowboy kind of story that hit all the high notes of that kind of story telling without feeling dated or misplaced.

The ending blew my mind and sent us off with a farewell that I thoroughly enjoy in hero or western drama styled stories. This was a great movie. 5 out of 5 stars.

For their part, my parents liked Predestination (they aren’t heavily science fiction folks), although the time lines and intersecting parts were obviously confusing (as they are for everyone). They are both Ethan Hawke fans and liked the story.

Looking Forward: 2021 in Writing

My ambitions for 2021.

That being said, a plan is the what, and a schedule is the when. So this post is about the plan, and the schedule is “Try for 2021!”

Here’s the plan with attempted dates, and the only promise I’ll give you is that, I WILL TRY TO MEET THEM.

Satan’s Salesman 2 – This one is almost done! I have a little over 30,000 words and am aiming to finish typing it by March. Then it’ll be off to the publisher. In this one, Shane Lowe is back and being the head of the American division of Perdition Investments isn’t all it’s cut out to be. Not only is everyone out to devour you, but one of his contracts, the one that got him his job, is in jeopardy and now he has to defend his decisions in a court of demons and angels. Between that and his future wife returning from Hell just a little off. The world of Soul Sales is cut throat, and Shane is learning just how cut throat it really is.

Broken Nights 3 – Mike and I are only about a fifth of the way through this one, maybe a little less. We’ve got the plan though: Stella Bernard is finally in the stage in which she can enact her plans to the fullest. She spent book 1 created enhanced human beings. She spent book 2 testing the resistance they could come up against. In book 3, we discover that she has an entire organization that has been kidnapping and testing the enhanced. There’s an entire complex filled with them. A prison for supers and Jason finds himself locked inside.

The Esoteric Cavalry – This is a new one and a first for me. I’ll be writing about the wild west, but with a twist. This wild west takes place in the Andrew Doran universe. The Esoteric Cavalry is the only defense that the United States Government has put in place to protect its citizens from the denizens of the dark. The Civil War is over and the battle scarred Hiram Cartwright doesn’t know what to do with himself. That is, until his commanding officer lets him know that while the war his over, the battle rages on. Hiram and his brother Buford will lead a charge into the western territories to recruit new marshals for the Cavalry and take on the unknown horrors hidden in the still expanding United States.

2 more Mythos Anthologies – I’m working on another fun Mythos Crossover. You’ll learn more later.

Coven – I’ve talked about this before, but I have only been waiting to finish Broken Nights 3 before I start it. In Broken Nights: Strange Worlds, we introduced Coven, the witch with the minds of 8 friends in her head, lending her their power to make her the most powerful practitioner out there. This is going to be a step down from the Broken Nights kind of theme, and follow an idea that is more like the X-Files meets Warehouse 13. Hunting for magical items and people who are breaking the rules, while traveling with with a partner/cop for the magical world (Samuel Dolan, the werewolf P.I. from my short story “Guard Dog.”

No Monster! – My first attempt at a children’s book, based on the imaginary adventures of my 2 year old. Willow saw a pile of leaves once and started shouting “No Monster!” at it. Since then, she’s made it her battle cry whenever she’s mildly intimidated by something that she doesn’t understand. The children’s book will have her confronting each of these monsters and them deciding to join her and help protect her as she faces bigger monsters. A large part of this is me honing my own artistic talent until I’m happy with it. This could easily be the same project I’m working on in 2 years, but I’m hoping to get it finished this year. Here’s a sample idea for the cover and art style I am currently working with. I like the Willow design, although it needs more practice. The monster is replaceable.

Andrew Doran Omnibus (or a more exciting name, I’m still working on it) – The full collection of every Andrew Doran story up to and including Andrew Doran and the Scroll of Nightmares. Yes, they are already written, but there’s some work to do still. Putnam Finch is working on a really great cover and sent me this sketch as an idea of what he’s thinking of doing for it. This isn’t the actual work, but just his idea, and damn am I excited!

No description available.

Review: The Peaslee Papers by Peter Rawlik

The Peaslee Papers: A Lovecraftian Chronicle by [Peter Rawlik]

This is going to sound counter to literally everything I am, but bare with me: I don’t normally enjoy to completion anthologies that are hardcore mythos.

The reason behind that is that when I read something, I fall hard for it, even the crap stuff, and I demand more. If you give me Reanimator, then hook me up to an IV of the green stuff and keep her coming. We’re reading about Yog-Sothoth today? Then blow my mind up! Unfortunately, large anthologies that tend to be a deep dive into the mythos tend to bounce around the universe and rarely touch back on whatever subject first sparked my interest.

Peter Rawlik’s The Peaslee Papers is something else entirely. It’s similar in effect to what I’ve been trying to be a part of in the group anthologies I’ve joined. Almost like a TV show, in that each story in this anthology acts more as a chapter, telling an enclosed story that actually lends itself toward the larger and all-encompassing plot of the book.

The Peaslee Papers is a biography of the Peaslee family, starting with the famed Nathanial Wingate Peaslee and following his descendants throughout the history of the world. They encounter the Mythos in differing ways (it touches on almost everything) and in ways that I don’t ever see enough of (had some good King in Yellow stuff going on) and are always tied back to the main part of Peaslee’s story: Quantum Leaping with the Yith.

It goes beyond that, though, in that we get to see a hint at the Yith’s very alien, and in many ways, all too human, agenda. He adds to the Mythos at regular intervals without feeling like it was shoehorned in. It wasn’t, it’s been there the entire time, we just didn’t know about it until Rawlik told us.

I’ve been a huge fan of Rawlik’s Reanimators series of connected stories, with my favorite being Weird Company, but this gave me a new dimension. Instead of the more visceral look at at flesh-craft and the psychology behind reanimating the dead, we got a philosophical look at manipulating the universe.

This book is an easy 5 out of 5 for me. I’m about to start his Legacy of the Reanimator anthology, with co-authors, and am looking forward to just as entertaining of a deep dive into the history of Herbert West as we received with Professor Peaslee.

Agent G Omnibus Review

When it comes to terms that end in “punk” I have never been a huge fan. I enjoy the aesthetic of Steampunk, but can never get into the stories, and that Cyberpunk 2077 video game came out and all I really cared about was how much the Keanu Reeves character actually looked like the talented actor.

That being said, I originally picked up the first Agent G book because of the author, C. T. Phipps, without any real idea that the story was “cyberpunk.” Instead, I dove into what I saw as a mix of James Bond’s serious take on the world and the level of body-mod technology akin to Austin Powers’ “machine gun jubblies.”

The world building of these stories is great. Not only is there the prebuilt world that is everything we know about it as normal people, but on top of that is a layer of black ops computer warfare that includes clones and augmented cybernetic enemies. There’s technologies that can hack anything and technologies that combat those hacks, with every new technology being countered by something even more fierce and incredibly imaginative, all while people fight with the moral dilemmas associated with the ethics of cloning, editing histories, manipulating the masses, government take-overs, and the exercising of free-will.

The first book introduces us to this amazing world, slamming us into the backseat as we follow Agent G, a nameless member of a combat elite with more secrets in his past than even he is aware of. He is led to believe that his organization is fighting on the side of right, but as Biggs Darklighter would soon discover, joining the Empire has it’s costs. Along the way, he meets assassins of equally morally dubious standing and discovers that everyone’s labels for good and bad don’t mean anything if everyone is out to kill you.

Another great comparison to this series is Pinocchio. Mostly because these books are the journey of a man who thinks he can be nothing more than a machine for the company discovering the things that make him human.I won’t go into the follow up works included in this omnibus because the only thing you need to know is that the battle rages on. Not just the battle between the company and Agent G, but the battle inside Agent G’s head.

I have said this in previous reviews of Phipps’s work, he soars when he’s working on character development and having a mindless automaton assassin discovering moral quandaries on the level of “do I have a soul” is the best playground possible for C. T.’s skillset. We start with someone who is happy with his place in the world and not really questioning anything. He has his home and his relationships as well as an understanding that his life is programmed to be short and is only as valuable as his next target’s status. Then we move onto him discovering that the world isn’t as it seems and maybe he isn’t either. It is the kind of wedge under a character that’s small, but can lever us into a huge character arc. And Phipps delivers.5 out of 5 stars and I can’t wait to see what more comes into the world of Agent G.

2020 in Writing

As most people are, I am harder on myself than is necessary. It’s probably what people do to drive themselves to work harder. If I’m disappointed in a little progress, perhaps I’ll push myself toward larger progress.

When it comes to my writing career, I tend to aim for the a goal and then land about a hundred yards short. This isn’t some big revelation, so much as it makes me think I’m just a normal guy. To put this into perspective, my usual annual goal is to write two novels. I tend to fall short, by at least one, and probably average out at 1.5 novels. Starting about 2 years ago, I started doing more anthology series, and that really throws off the “goal” because I start accusing myself of cheating. I ask myself if that even counts as one of my “novels.”

I decided to combat that type of negative thinking two ways. The first was to say yes, that counts. Why wouldn’t it? The goal of two novels really means two sellable products sent off to my Publisher. Stop beating yourself up, Davenport, you were successful this year!

The second way is to look at word count. This way makes me a little happier in that it feels more honest and still succeeds. My average novel length is around 55k. That makes my annual goal around 110,000 words. With my short stories and whatever novel was this year’s big push, that means I’m usually over my goal novel length for the year. While the previous way sounds like success, this thought-process actually feels like success.

Other things to remember (for you as well as me):

  • 1.5 books a year is still great. A lot of people only ever put out one book or less per year. If you’re George R. R. Martin you put out even less than that. (And he’s got a tv show!)
  • You set your own pace and any measure of success is pretty darn good!
  • While number of novels published (or short stories) is a fun metric, it’s not an accurate for how much writing you have done this year. On a personal note, I spend a lot of my time starting new projects, world building, writing fan-fictions, reading and writing reviews, and collaborating with other authors on ideas. If I publish two novels, it still doesn’t illustrate how much other effort went into the year.
  • It was 2020, you might have been stuck at home for a lot of it but that doesn’t mean you were writing. You still have a day job!
  • A personal one: I’ve successfully (as of this writing) have written and/or published 10 novels and 6 anthologies. That’s pretty cool.

So, under the “don’t give yourself such a hard time” idea, here’s this year’s accomplishments.

  1. Time Troopers, by myself, David Hambling, Byron Craft, and John DeLaughter. – This one was a mythos anthology with each of the stories connected by Art, a time traveling individual fighting one of the great Time Wars against the evils of the universe. While Art wasn’t the main character, him and the time travel mechanism were an integral part of each story, connecting this vast universe of time lines and alternate futures.
  2. Andrew Doran and the Scroll of Nightmares by me. The third complete novel in the Andrew Doran series and long overdue. In this story, Andrew and Nancy discover the the coveted original manuscript of the Book of Eibon is actually a scroll held in place between universes. By moving it to Arkham and the Miskatonic University, they release an ancient Demi-God who plunges them into horrific scenarios from the recesses of their own minds. This story was a two year effort in world-building, as I wanted to do something a little less survivable for our adventurer. It originally started as an entirely different story, Andrew Doran and the Tomb of the Pharaoh. In that story, I was going to have Andrew accidentally ferried to ancient Egypt to locate the original Tomb of Ulthar. The story was going to be divided between then and “now” with Nancy trying to follow clues that Andrew left throughout time to help her bring him home. That one might still happen, but because of Scroll of Nightmares, it definitely is going to need some draft revisions. Besides, as I already mentioned in #1, I’ve already done a time travel story this year.
  3. The Book of Yig: Revelations of the Serpent, by Me, Mark Howard Jones, Peter Rawlik, and David Hambling. This book is completed and in pre-order status on Amazon. It comes out in April and follows a similar formula as my other Mythos related anthologies. Four stories all tied together by a common plot device. In this one, the Children of Yig are eternal, and are taking generations to attempt a coup over mankind. My story, Andrew Doran and the Journey to the Serpent Temple is in this one.
  4. Tales of Yog-Sothoth, by C.T. Phipps, David Niall Wilson, David Hambling, David J. West, and myself, the same team that brought you the Tales of the Al-Azif. This is obviously the mythos sequel to Tales of the Al-Azif, following the same formula and characters as we tackle the entity called Yog-Sothoth. Being a beast of time and space, we have a lot of fun crossover stuff in this one. Also, a bunch of parallel worlds, time travel, and mythos aliens! Andrew Doran and the Forever Gate is in this one.
  5. Not finished, but honorable mention, Satan’s Salesman 2: The Devil is in the Details, had a lot of work done this year as well. Thanks to some motivational plot work from C.T. Phipps and my need for NaNoWriMo fodder, I was able to add about 25k words to it before the year ended and got work started on the cover art with Putnam Finch.

Three Anthologies, one novel, and half of a novel brings this year’s word count to: about 135,000 words this year, not counting the first chapter of my upcoming weird western, The Esoteric Cavalry, or any of my fan-fics or book reviews. I’m calling it a successful 2020!

Upcoming projects that are at least started, include: The Esoteric Cavalry, Satan’s Salesman 2, Broken Nights 3, Coven Spinoff Novel, and a still-in-talks anthology. Esoteric Cavalry, Coven Spinoff, and Broken Nights 3 each have less than 10k written. Satan’s Salesman 2 is almost done. 2021 could easily have 3 novels published if I focus and don’t let myself get distracted…

But hey, even if I do get distracted, that’s ok. We’re all human. Do the best you can. After the 2020 we all went through, as long as you can say you did the best you could with what you had, that’s all you can ask for.

Moana, Lovecraft, and Me.

Before I dive into this, I should give the uninitiated of you a little background of myself. I was an Archaeologist for a few years, and studied for just about as long. My favorite cultures of study were the Mayan and Aztec. This led me to learning about the Popol Vuh.

The Popol Vuh was a set of stories that included their creation myths and, my favorite, the story of the twins (I could read the Wiki article, but doing this from memory is more fun for me). In it, the Twins go through a series of adventures that drag them through the land of the dead and back to the land of the living after a series of adventures and pranks against the various gods. (One of those stories has one of the brothers getting his head removed and they replace it with a cabbage and the cabbage transforms into the twin’s head. No issues. So, either magic cabbage or the kids were magic. I think it was the kids being magic.)

Anyway, I have a point to all of this. To succeed in their quest, they had to die, travel through the underworld, succeed, and escape the underworld. A lot of other cultures have similar stories of passing through the underworld to accomplish a goal. And I have a theory that this happened in Moana.

Yes. Moana, the Disney movie. With the Rock.

I have a 2 year old who is in love with, what she calls the movie, “Maui Time!” So, I have seen this movie more times that I have watched any movie I ever had to do an essay on in college (looking at you “The 6th Day”).

Moana’s goal is to leave the island with the Heart of Tafiti. If you watch it like any 2 year old or person with a passing interest, you will watch as Moana leaves the island, gets swept up by the ocean, wakes up on a tropical island where she finds the demigod, Maui. Other stuff happens that I’ll get to later.

Ok, so this theory of mine is that she doesn’t find any of the gods and underworld stuff, and she wouldn’t have ever found them, until after her ship gets capsized, exactly like happened to her father and his DIED DURING THE CAPSIZING friend. Then she mysteriously wakes up on the correct island and the demigod that she was looking for is there.

So, here’s my story. When Maui lost the Heart of Tafiti, the ocean brought it to the world of the living. Moana found it, and she was quested with returning it to him. Except he is in what I will henceforth refer to as Level 1 of the Spiritual Realm. Her boat capsizes because she has no idea what she’s doing on a canoe. She drowns and is spirited away to Level 1 of the Spiritual Realm where the spirit of the ocean has more power and can help guide her unconscious spirit to the right spot. Great, part one is done. She has found Maui. There’s arguments and then they meet a few things that she’s never seen in the land of the living, like the coconut critters. They fight them and then he takes her to the gateway that leads to the Realm of Monsters, or as I will refer to it, Level 2 of the Spiritual Realm. They literally have to dive into this deeper level of the spirit world in order to get his Hook, which disappeared along with the Heart. In other words, this is evidence that when Maui lost them they both ended up in different worlds.

Alright, the rest of the movie happens and they end up fighting the firey goddess and lose because of, in my opinion, a lack of communication. Maui ducks out and Moana is set adrift in the middle of the ocean, where we get a third level of the Spiritual Realm. This one is the “land” of the dead. It’s more “ocean” of the dead, but that’s kind of the theme of the movie. Anyway, she gets spiritual guidance from a lot of ghosts, but mostly her grandmother.

The grandmother is a little bit of a conundrum for my version of this story. When she dies, you see her spiritual manta ray surge under the wave as Moana pushes past the reef. This doesn’t mean that everything else doesn’t happen, but it shows more of a spiritual presence in the living world than I am normally comfortable with in this theory, as Moana needs to leave her world to enter the world of magic…but there is magic when her grandma does that. It works, vaguely.

Anyway, grandma and a bunch of old dead guys give her the confidence she needs to succeed. She fights the evil god, gets her friend back, and restores the Heart. Watch the movie for detailed spoilers on that part. After she meets the god, she gets a boat that, essentially is identical to the one she left on. I don’t know if that’s important. She takes the boat and sails back home. We don’t know how long that takes.

When she gets home, her family rejoices that she’s still alive and she takes the time to share her Wayfinding mastery with her people and help them explore again.

In this last bit, I feel the movie glazes over her return because we’re past the climax. Obviously, the ocean spirit and Tafiti are responsible for her return to the land of the living. No small feat, but I think the ocean is the only medium that could have returned her and her knowledge from the gods.

If you’ve seen the movie, you can see that my interpretation is a little darker than Disney would have wanted to portray. Moana dies, travels through multiple levels of the underworld to retrieve the knowledge to save her people (sailing), and saved two gods to return the world to balance, before returning to the land of the living.

Her head was never replaced by a cabbage, but a giant crab with a New Zealander accent tried to eat her, so to each their own.

Where am I going with this? That’s a great question, and I am glad you have stayed with me this long to ask.

Wouldn’t it be cool if this kind of journey through the underworld was mirrored or told through the eyes of a New Englander and Lovecraft?

“But Matt,” I can hear you say, “isn’t that The Statement of Randolph Carter? Or The Silver Key? Or literally any story with Randolph Carter in it?”

To which I answer, Shut up! Yes, that is something that Lovecraft more or less already did, but his wasn’t nearly as fun, gory, or written by me, as mine would be. The Carter story was also something more personal to the main protagonist, as it should be, but my idea is that the story would have more world ramifications.

Think about it. Random book nerd learns of the coming cosmic apocalypse. He knows that he needs to stop it and he thinks he’s found the item, a black shard of something that seems to shift shapes. He discovers a crypt under the local library. Breaking in at night, he makes his way into the crypt and finds the remnants of a ceremony that has already happened. The clock is ticking and the dominoes have been tipped. He sees a carving in the stone wall and runs his fingers over it, reading the R’lyehian text out loud. Nothing seems to happen, but he hadn’t expected it to anyway. Then he hears a growl, turns, and is attacked by an alien monstrosity with teeth everywhere. He’s knocked unconscious in the struggle.

He wakes up deeper in the caverns but has no idea where. He swears he thought he was going to be as good as dead. The monster surely wanted his throat, but he seems fine. Then he sees a marking on the wall and realizes that he’s actually closer to his destination than he thought he would be. That’s when he meets an old professor he thought had passed years ago. Obviously not. Together they work toward solving the mystery and come across horrors that our hero never imagined coming across before.

Yeah, that could be fun. I think I might try fleshing something out in that regard. Maybe a novella.

Anyway, thanks for sticking with me through this lengthy explanation for a fun idea. If you know of anyone else who has already done something similar to this, or other ancient stories that follow a similar structure, please share them in the comments.

Banners!

I’m a little behind in my words, but once I got 2,318 done today, I needed a break.

So, I jumped onto Photopea (a browser only photoshop clone), and started playing around with PSD files from CoverVault.

These are some of my upcoming titles and my bigger titles.

And these are my current and upcoming anthologies only.

Those are some beautiful covers, but I’m biased. Head on over to Amazon to see what they are about.

Another NaNoWriMo Update

NaNo has been going great. I started walking about 3 times a day lately, and yesterday I was just too tired to make the wordy words. It’s put me a little behind but nothing is more motivating that seeing your next book cover coming to life.

As I work on Satan’s Salesman 2: The Devil is in the Details, I’ve asked Putnam Finch, my favorite artist, to start work on the next cover. He sent me this beautiful piece of work today.

Going to get some words down tonight and try to catch up for my day off over the week.

Update: NeaNoWriMo and More

I know that I still owe you all a review for the last two episodes of Lovecraft Country, but honestly, I’ve been rocking and rolling on the novel writing front and don’t want to lose that momentum (he says as he writes a blog post…).

Andrew Doran and the Scroll of Nightmares is with Beta Readers and my editor, Kelsey! This is awesome! I took way too long (as many of you have told me) to get this novel out. To be fair, there are a lot of ways that I gave you more Andrew Doran during the wait, but I get it. You didn’t want the afternoon snack, you wanted dinner. Well, we’re almost there! Just gotta get through edits!

Andrew Doran was my NaNoWriMo goal, and I got that done in the first 7 days. Now I am using that momentum to pick up the pace on Satan’s Salesman 2: The Devil is in the Details.

Satan’s Salesman is a book that I had originally intended as a one-and-done. It was only when fans and reviewers started asking for a sequel that I wondered how I would even do it. That’s when a fan and fellow author, C. T. Phipps, came to me with a plot idea that we worked together to develop what we hope is a strong plot. This month I’ll be fleshing it out and hopefully those same fans and reviewers (HI!) will enjoy what Phipps and I have created.

That reminds me, I’m going to need to reach out to my buddy Putnam Finch and talk about the next Satan’s Salesman cover. I’m thinking demon sales lady. Sexy, black and white, and definitely evil.

Oh, and hey, we may or may not have a new president, although you don’t have to read between the lines to know I’m hoping for the ‘may.’ I can’t wait to see what this change brings to the good ole U. S. of A. but I’m ready for it.

Also, I have two more anthologies coming out. I don’t know when but you can look forward to The Book of Yig: Revelations of the Serpent (with Andrew Doran and the Journey to the Serpent Temple) and Tales of Yog-Sothoth (with Andrew Doran and the Forever Gate).

Review: Lovecraft Country Episodes 7&8

Even though the finale just aired (and I have yet to see it), I’m going to take a moment and review episodes 7 and 8 (I Am. and Jig-a-Bobo). This has been a great month for my writing projects, but at the same time I have had to borrow writing time from other things (such as reviews) to get there.

Episode 7, “I Am.” was a fun piece that I’m sure a lot of people are going to claim wasn’t even remotely Lovecraftian. Perhaps I’m wrong and they will be singing its praises but I have yet to read other reviews that take the same opinion on these that I do. Episode 7 followed Hippolyta, George’s widow, after she discovers the correct mathematical equation to open the Orrery. When she does get it opened, she discovers a key and a set of coordinates and decides that whatever this thing is, it has to give her answers to her burning questions regarding George’s death and her family’s lies.

At the same time, Atticus and Letti are trying to figure out their next steps and accidentally walk in on Montrose and his boyfriend. The issue is the times and the way they dealt with homosexuality, and whatever we’ve built Atticus up as in our heads, he’s still an Army boy from the fifties with huge respect for his mama. When he discovers that his dad is gay, he doesn’t know how he can trust someone who’s lied to his mother for years as well as struggles with the fact that his dad is gay.

In true “manly” fashion, Atticus decides to ignore it and focuses on the problem at hand until he and Letti realize that Hippolyta might have gotten herself into trouble.

Hippolyta is a resourceful gal, and she discovers and activates a sort of interstellar telescope that opens a portal through time and space (possibly multiple spaces). The security guards of the place show up, Atticus shows up, everybody is getting shot at, the machine gets hit by a stray bullet, security guards die, and then Hippolyta gets sucked into the portal.

She wakes up in a space cell. A prisoner (even though the aliens say she isn’t) of an alien or future race.

THIS IS LOVECRAFTIAN.

I had to put that in bold because a lot of people think that the term “Lovecraftian” means it has to fall directly in line with Lovecraft’s mythos. That isn’t my definition. Lovecraftian means otherworldy elements being interpreted as supernatural. Lovecraftian means aliens with unknown motives manipulating individuals in much the same way we like to laserbeam ants with a magnifying glass.

When Hippolyta fell through the portal and into time and space this group of aliens or whatever grabbed her and decided they wanted to examine and study her for their own unknown motives. They put a weird glass thing in her wrist and, in the only thing they do that makes mortal sense, they tell this woman who has had her freedoms held back by society that she can choose how free she wants to be. You can’t look at Hippolyta falling through time, getting snatched by an alien influence, and being experimented on and not think of the Yith or the Mi-Go. If you can, then I have to question your own understanding of the mythos. Are these aliens Yith? I doubt it, and they certainly don’t look like it, but then again, the Yith inhabit different species’ bodies as they die. This could be a future or past iteration of them from when they weren’t living in large insect-like crab-claw bodies. Do I believe that? No, but my point is in the idea. What is Lovecraftian? Alien influences and motives altering the course of human lives in unexplainable ways that seem supernatural. And that’s exactly what happens to Hippolyta.

In a lot of ways, this is exactly the same thing that happens with Ruby. On a lesser scale it is happening with Montrose. These people who are held down for whatever reasons are being given a level of freedom they have never experienced. For Hippolyta, she’s being told that she can decide her life, but she needs to understand who she is first.

Suddenly she’s thrust into a journey through different lives, times, and places, where she can examine herself and who she is. First she lives the dream, singing and dancing on the stage in Paris, then she’s learning how strong she is as she leads a band of women to fight every hateful man in history, and then she finds a place where George didn’t die and she tells him everything she’s needed to say in order to find herself again. And George, who I’ve always been a huge fan of, steps up and says, “Alright, I’ll be your sidekick. Let’s go.”

Probably the most romantic thing in this entire show.

Space adventures ensue, and Hippolyta says she’s ready to go home once she knows who she is, but we never see her step out of the portal again.

Back in our world and time, it turns out that Atticus got sucked into the portal too, and he gets spit back out, carrying a book with the same title of the show and runs away, leaving two dead guards and his cousin’s comic book, implicating Hippolyta in the guards’ deaths.

Episode 8, Jig-a-Bobo, is a mix of the aftermath of Hippolyta’s lack of return as well as a return to the more local situation. Immediately following the very-real-world death of Emmett Till, killed graphically for talking to a white woman while in her family’s grocery store. In the lore of Lovecraft Country, Emmett was also a friend of Hippolyta’s daughter, Diana (Dee).

Mikey and I had to take a moment when we discovered that this boy’s death was a real-world occurrence. This tragedy is heart-breaking and should be a story that people share for eternity to remind us of the horrors of hate as well as to keep Emmett Till’s name alive. Hate does nothing good for anyone and has no place in the hearts of man.

Understandably, Dee is upset. She needs to breathe, she needs to talk, and she still doesn’t know where her mother is. Atticus is still avoiding his father, and Letti is remorseful after her last conversation with her sister.

This episode does a lot to connect the dots between people’s stories, but the creepy crap is all happening to Dee.

In this episode we’ll see Ruby and Letti hear each other’s stories. Letti will understand that Ruby has been working with Christina. Ruby thinks Christina’s a good guy. Atticus will accept his father for who he is. We’ll also see that Atticus got sucked to the future in the last book and met a woman gave him a book, written by his own son, that recounts the upcoming events.

All of that is important and I care only in the grand scheme of the rest of the series, but can we get back to Dee? Thanks.

Dee gets cornered by zombie/wizard cop. Zombie/Wizard cop SPITS A LOOGIE ONTO HER HEAD and casts a spell. She wakes up later and my first thoughts are nothing good. I’m ready to kill this guy, but it turns out all he did was curse her with demons that’ll kill her, not any of the horrible stuff I expected him to do.

But I’m ahead of myself.

He corners her because everyone wants to know where Hippolyta disappeared to after those (white) security guards died.

Of course, Dee has no idea. For reasons that still don’t make any sense to me, he cursed her to be chased by creepy (like Pennywise) invisible demon things to stop her from… telling people? Warning people that he’s looking for her mother? I still don’t get it, but whatever.

Anyway, the rest of the episode is her getting hunted by these demons until one of them scratches her.

Atticus decides he’s going to use magic to make himself impossible to harm and recruits his dad to help. Letti tries the same thing, but recruits Christina to help. Christina knows that she needs to sacrifice Atticus to become immortal, so she’s decided she won’t save him, but she’ll gladly put a spell of “no harm” onto Letti and her unborn baby (totally preggers with Atticus’s kid).

Atticus and his father do the spell but Atticus doesn’t feel any different. He’s confused, but decides he’ll try to work another angle. Somewhere in this he explains to his dad about his future kid and the book.

During this, the cops have decided to storm Letti’s house. Everybody shows up. Bullets rain down on the place and Letti is totally bulletproof. She’s gonna kick ass, but then Atticus shows up and she goes running out to protect him from the bullets.

Except the spell Atticus and Montrose did worked! With an entirely different effect. It turns out that while they didn’t make Atticus into Superman like Letti was hoping for, he got his own protector in the form of a giant black shoggoth (the black shoggoth looks so much cooler than the pale ones).

Dee is scratched by the demon kids and dying. The episode ends with her sick, Letti impervious to harm, and Atticus all protected by monsters.

And now I want a monster shoggoth to eat all my enemies. Gonna have to rewind and rewatch that spell…

Mikey’s thoughts:

Little different this time folks. Every episode has historical audio files that play at certain moments. Sometimes it’s at a moment when all hope is lost or feels lost. But each time, realizing what is said and realizing that it really happened and these were said during a time where you could be killed because you looked at someone the wrong way. Each time, I feel like my heart is going to break. I just can’t believe the horror that lives in the hearts of man.

Also, this friggin show knows how to keep me on the edge of my seat. I want a Shoggoth.