A few fans reached out to me recently demanding that I put forth a paperback version of my recent dive into the horror-filled nature of sales culture.
The first thing that everyone, without exception, does when you tell them that you’re expecting a child is offer advice. Sometimes they’ll disguise it as a story from their times as a parent or caregiver and other times they pretend they heard you ask them just so they can tell you. It’s a little annoying, but it’s harmless and, to be completely honest, I’m certain I’ll do it to someone else when the time comes (or I already have!).
For writers, it’s no different. While Ren and I received, and continue to receive, everyone’s general opinions about fussiness, diapers, and corporal punishment, my writer friends have only ever said one thing:
“Good luck finding time to write.”
Now, I’ll admit that my first several weeks with my beautiful bundle of joy was exhausting. She’s perfect in every way, but she is still a baby, and baby’s in those first few weeks can make every day feel like you’re walking through mud. Exhaustion is real, my friends.
BUT! Once she started to learn us and we started to learn her everything began to gel and I started to wonder what the heck all of my writing friends meant. I managed to meet two anthology deadlines without any problem.
While I still haven’t written anywhere near as much as I would have hoped to have written by this point in 2018, I will proudly admit that it has nothing to do with my daughter. My procrastination in my writing has been entirely the same as it was before she was born.
“Hey there, Mr. Novel-in-Progress! How are yo- Oh, look a (Netflix show, phone game, Youtube video, cat that needs petting, or butt that needs scratching)!”
Writing is one of my favorite things to do, but my biggest problem in writing has always been me. Once I sit down and make myself start typing, it flows easily and I can get a lot of words down. It’s that initial “making myself sit down and start typing” that’s the hardest part.
And that has nothing to do with my daughter.
To that point, there has been adaptation. I don’t expect to sit down and get four straight hours of writing in the middle of a Saturday. Instead, I adapt. I write when she naps, or I write when she’s gone down for the night. In contrast to the myth, having a child doesn’t require 100% of your day. She does require 100% of your love and attention when she’s awake, but if she’s napping next to you looking all adorable, there’s no reason you can’t pop open your laptop and let her be your writing muse!
I’m only speaking from the position of a parent who’s only child is under 6 months old. It’s likely that as she ages and and her needs change I will find less and less time to write.
The good news is that I don’t believe any of that.
I believe that as her needs change I’ll adapt my writing schedule and style. I’ll still procrastinate but I’ll also evolve as my daughter grows.
“Good luck finding time to write,” is a nice sentiment, but it implies that my not writing is her fault. That’s not true at all or we’ll have to blame Netflix and Cat-petting as well. Nope, my schedule and how I find time to write are entirely on me. I’m responsible for when the words get on the page, and I’m responsible for when they don’t.
That being said, I totally wrote two more chapters in the next Andrew Doran novel last week. You’re welcome.
I love my Peanut. Her and Ren are the best Muses a guy could ask for!
First published on Shoggoth.net:
To be entirely honest, when I first picked up my audio copy of Meddling Kids, by Edgar Cantero, I had no idea that I would be writing a review for Shoggoth.net. As a matter of fact, I only picked it up because I remembered reading somewhere that it’s an adult parody of Scooby Doo. To that point, it absolutely is a 100% homage to Scooby Doo, but it is also an homage to Lovecraft, the mythos, and the other players in the mythos.
A great review of Andrew Doran At The Mountains of Madness! I can’t wait to get book 3 done!
A reader on Goodreads discovered Satan’s Salesman and had an interesting time reading it. I love seeing people enjoy my book, especially when it was a departure from my usual style. Check out what “Swiffer” had to say!
Masters of Chaos by David Hambling is the fourth book in the Harry Stubbs series and it goes without saying that I am a huge fan of the series.
David’s Mr. Stubbs is a man of simple means, striving to better understand the world. This is more than the world as normal men and women know it, although he is constantly reading and taking correspondence courses to increase that knowledge, but also the darker and more sinister works first described by H. P. Lovecraft. To that point, Harry had found himself in the “employ” of an American named Ms. DeVere. She had recruited Harry to investigate the of happenings of Norwood. Harry is only barely qualified for this role through his past run-ins with Lovecraft’s mythos and his history as a former successful boxer.
Master of Chaos did something I didn’t expect a Stubbs novel to do, although I should have, and thrust our hero into an undercover role as an orderly at an asylum. While I hadn’t expected it, it fit well with the evolution of Harry’s investigations and made for some amazing scenes and great literary art as the reader who, four books in and well versed in Stubbs’ adventures, questions along with our hero whether or not he’s lost his mind.
My favorite thing about this novel and each of the Stubbs’ adventures, is how Hambling introduces entirely new elements of the mythos into Harry’s life and makes it seem like part of the everyday world we live in. It makes me wonder if some day Harry will lose all sense of reason as anything can be explained away by the police or the doctors…
My favorite part of this delightful tale was easily the part regarding the time Harry received in the first book. When you read it, you will know what I’m referencing. It’s difficult to say this was my favorite part, because I had so many and always enjoy a good yarn of my favorite boxer, but I’m a simple man.
5/5 stars for the Norwood Titan!
(First publisher for Shoggoth.net)
Normally, I have mixed feelings when it comes to anthologies. It’s not that I don’t like them, my problem is quite the opposite. I love them, but once I get to the point in an anthology story where I want it continue divulging the secrets it’s only just now begun to show me is when the story ends and we shift gears into an entirely different story.
Special thanks to Adam for this great review!
The Statement of Andrew Doran
Macabre Ink/Crossroad Press
In the vast majority of stories set in the Cthulhu Mythos, or within the broader genre of Lovecraftian or Cosmic Horror, it is a trope that if any character – whether protagonist, antagonist or some part of the supporting cast – comes into contact with a being from the Mythos, or any of the magic that comes from the void between dimensions that said beings inhabit, then there will be an incredibly high price to pay. That price is usually something to do with one’s sanity being slowly (or rapidly) peeled away as the true face of the uncaring cosmos is revealed; a soul being corrupted or completely destroyed; or, at best, some combination of the two that doesn’t happen immediately but is cursed to haunt the character until their shortened and untimely death in the near future. That’s all well and proper, and such an intrinsic part of Lovecraft’s writing, and the genre that has expanded upon his writings, that I would be concerned to see a story in the genre that didn’t include it; it wouldn’t be a Cosmic Horror story, or something inspired by Lovecraft.
However, I must admit that it is nice to see a piece of Mythos fiction that features a protagonist who is fully aware of the myriad dangers of the void, but who is still skilful and disciplined enough to be able to effectively wield those powers without immediately turning insane or being mutated into a fleshy blob that can only scream telepathically. Sometimes it’s a good thing to buck the general trend of a genre, as long as it’s actually done properly – an excellent example is the Midnight Eye series of novels by my favourite author, William Meikle, which features a Glaswegian private detective who becomes embroiled in Lovecraftian shenanigans and can occasionally pull off a success without his mind being irreparably shattered. Another great example is the book that I’ve just finished reading, and is therefore the subject of this review – The Statement of Andrew Doran by Matthew Davenport. The titular Doran is a professor, mythologist and occultist who divides his time between studying various elements of the Lovecraftian deities and the cults who worship them, studying forbidden texts to understand the basis of the evils done by the deities, and fighting anyone foolish enough to try and use them for evil. He’s a fantastic creation, unashamedly in the style of iconic and archetypical adventurers such as Indiana Jones – someone not afraid to use guns, swords and his bare fists at times to fight foes trying to end the world through Lovecraftian means – not to mention a hefty dose of void magic when appropriate.
Set in the early 1940s during the Second World War, with the United States on the brink of joining the war against Germany and Japan, The Statement of Andrew Doran sees the professor pursue the Necronomicon when it is stolen from Miskatonic University by agents of the Nazi regime, fighting his way across Spain, France, Switzerland and Germany in an attempt to stop the nefarious Traum Kult from unleashing the apocalypse on Earth. Fast-paced, action-packed and extremely well-written, by the time I was half-way through the novel I was enjoying myself more than I have in quite some time. Because while we get fantastical, almost cinematic action sequences (a fight against undead Nazi soldiers while fighting through a heavily-armed convoy is a particular favourite of mine), and some of the genre’s obligatory dream-like sequences where entities such as Cthulhu are witnessed, there are also some intriguing ideas ventured by the author.
For example, the Necronomicon is stolen by the Nazis from Mistaktonic University at the beginning of the novel, and there’s an interesting relationship between Doran and the university administration that’s really only hinted at by Davenport. I rather enjoyed the idea that the senior faculty left the dreaded, forbidden tome on open display for students to read, in order to see what they would conjure from the book and they could take advantage of once the unfortunate student was driven insane or killed. Davenport also weaves together a number of genre archetypes, such as creatures, cults and deities, to evoke a world in which the theft of the Necronomicon, and the desperate efforts to get it back, are merely on plot amongst many being undertaken by cultists and other groups and individuals. This is brilliantly illustrated by an early section set onboard a trawler heading from the United States to neutral Spain, with Doran encountering some oddly fish-like men who are guarding a mysterious set of packages heading for the Spanish coastline, and having to disrupt their plot in order to proceed with his journey.
Doran himself is also an interesting and well fleshed-out character. Although he starts off as an obvious homage to Indiana Jones, with a desire to keep forbidden tomes in museums (or preferably all to himself) and an eager readiness to punch foes in the face, the author slowly but surely gives him more depth as the novel moves forward. We get to see how his efforts to get the Necronomicon back affect him, both physically and mentally; and his relationship with a supporting character that appears about a third of the way through the book is incredibly well done, doing an excellent job of subverting the often stale genre trope of ‘suspicious companion who doesn’t seem quite human.’
Cheerfully pilfering the best and most exciting elements of the genre – the Necronomicon, Cthulhu, Herbert West – and deftly bringing them together, Mr Davenport has written a fantastically pulpy, fists-swinging, guns-blazing, magical lightning-hurling action-adventure that readily proves that not all Mythos tales need to be grim, foreboding and often achingly depressing in order to be successful or authentic; Davenport shows that it is possible to use all of the tropes of the genre, and be faithful to them, while still producing an incredibly enjoyable adventure. The Statement of Andrew Doran is a credit to both the author and the publisher – once again the fantastic Crossroad Press – and I cannot recommend this heartily enough; I greatly look forward to reading the sequel and any other books that come in the series.