A great review of Andrew Doran At The Mountains of Madness! I can’t wait to get book 3 done!
A reader on Goodreads discovered Satan’s Salesman and had an interesting time reading it. I love seeing people enjoy my book, especially when it was a departure from my usual style. Check out what “Swiffer” had to say!
Masters of Chaos by David Hambling is the fourth book in the Harry Stubbs series and it goes without saying that I am a huge fan of the series.
David’s Mr. Stubbs is a man of simple means, striving to better understand the world. This is more than the world as normal men and women know it, although he is constantly reading and taking correspondence courses to increase that knowledge, but also the darker and more sinister works first described by H. P. Lovecraft. To that point, Harry had found himself in the “employ” of an American named Ms. DeVere. She had recruited Harry to investigate the of happenings of Norwood. Harry is only barely qualified for this role through his past run-ins with Lovecraft’s mythos and his history as a former successful boxer.
Master of Chaos did something I didn’t expect a Stubbs novel to do, although I should have, and thrust our hero into an undercover role as an orderly at an asylum. While I hadn’t expected it, it fit well with the evolution of Harry’s investigations and made for some amazing scenes and great literary art as the reader who, four books in and well versed in Stubbs’ adventures, questions along with our hero whether or not he’s lost his mind.
My favorite thing about this novel and each of the Stubbs’ adventures, is how Hambling introduces entirely new elements of the mythos into Harry’s life and makes it seem like part of the everyday world we live in. It makes me wonder if some day Harry will lose all sense of reason as anything can be explained away by the police or the doctors…
My favorite part of this delightful tale was easily the part regarding the time Harry received in the first book. When you read it, you will know what I’m referencing. It’s difficult to say this was my favorite part, because I had so many and always enjoy a good yarn of my favorite boxer, but I’m a simple man.
5/5 stars for the Norwood Titan!
(First publisher for Shoggoth.net)
Normally, I have mixed feelings when it comes to anthologies. It’s not that I don’t like them, my problem is quite the opposite. I love them, but once I get to the point in an anthology story where I want it continue divulging the secrets it’s only just now begun to show me is when the story ends and we shift gears into an entirely different story.
Special thanks to Adam for this great review!
The Statement of Andrew Doran
Macabre Ink/Crossroad Press
In the vast majority of stories set in the Cthulhu Mythos, or within the broader genre of Lovecraftian or Cosmic Horror, it is a trope that if any character – whether protagonist, antagonist or some part of the supporting cast – comes into contact with a being from the Mythos, or any of the magic that comes from the void between dimensions that said beings inhabit, then there will be an incredibly high price to pay. That price is usually something to do with one’s sanity being slowly (or rapidly) peeled away as the true face of the uncaring cosmos is revealed; a soul being corrupted or completely destroyed; or, at best, some combination of the two that doesn’t happen immediately but is cursed to haunt the character until their shortened and untimely death in the near future. That’s all well and proper, and such an intrinsic part of Lovecraft’s writing, and the genre that has expanded upon his writings, that I would be concerned to see a story in the genre that didn’t include it; it wouldn’t be a Cosmic Horror story, or something inspired by Lovecraft.
However, I must admit that it is nice to see a piece of Mythos fiction that features a protagonist who is fully aware of the myriad dangers of the void, but who is still skilful and disciplined enough to be able to effectively wield those powers without immediately turning insane or being mutated into a fleshy blob that can only scream telepathically. Sometimes it’s a good thing to buck the general trend of a genre, as long as it’s actually done properly – an excellent example is the Midnight Eye series of novels by my favourite author, William Meikle, which features a Glaswegian private detective who becomes embroiled in Lovecraftian shenanigans and can occasionally pull off a success without his mind being irreparably shattered. Another great example is the book that I’ve just finished reading, and is therefore the subject of this review – The Statement of Andrew Doran by Matthew Davenport. The titular Doran is a professor, mythologist and occultist who divides his time between studying various elements of the Lovecraftian deities and the cults who worship them, studying forbidden texts to understand the basis of the evils done by the deities, and fighting anyone foolish enough to try and use them for evil. He’s a fantastic creation, unashamedly in the style of iconic and archetypical adventurers such as Indiana Jones – someone not afraid to use guns, swords and his bare fists at times to fight foes trying to end the world through Lovecraftian means – not to mention a hefty dose of void magic when appropriate.
Set in the early 1940s during the Second World War, with the United States on the brink of joining the war against Germany and Japan, The Statement of Andrew Doran sees the professor pursue the Necronomicon when it is stolen from Miskatonic University by agents of the Nazi regime, fighting his way across Spain, France, Switzerland and Germany in an attempt to stop the nefarious Traum Kult from unleashing the apocalypse on Earth. Fast-paced, action-packed and extremely well-written, by the time I was half-way through the novel I was enjoying myself more than I have in quite some time. Because while we get fantastical, almost cinematic action sequences (a fight against undead Nazi soldiers while fighting through a heavily-armed convoy is a particular favourite of mine), and some of the genre’s obligatory dream-like sequences where entities such as Cthulhu are witnessed, there are also some intriguing ideas ventured by the author.
For example, the Necronomicon is stolen by the Nazis from Mistaktonic University at the beginning of the novel, and there’s an interesting relationship between Doran and the university administration that’s really only hinted at by Davenport. I rather enjoyed the idea that the senior faculty left the dreaded, forbidden tome on open display for students to read, in order to see what they would conjure from the book and they could take advantage of once the unfortunate student was driven insane or killed. Davenport also weaves together a number of genre archetypes, such as creatures, cults and deities, to evoke a world in which the theft of the Necronomicon, and the desperate efforts to get it back, are merely on plot amongst many being undertaken by cultists and other groups and individuals. This is brilliantly illustrated by an early section set onboard a trawler heading from the United States to neutral Spain, with Doran encountering some oddly fish-like men who are guarding a mysterious set of packages heading for the Spanish coastline, and having to disrupt their plot in order to proceed with his journey.
Doran himself is also an interesting and well fleshed-out character. Although he starts off as an obvious homage to Indiana Jones, with a desire to keep forbidden tomes in museums (or preferably all to himself) and an eager readiness to punch foes in the face, the author slowly but surely gives him more depth as the novel moves forward. We get to see how his efforts to get the Necronomicon back affect him, both physically and mentally; and his relationship with a supporting character that appears about a third of the way through the book is incredibly well done, doing an excellent job of subverting the often stale genre trope of ‘suspicious companion who doesn’t seem quite human.’
Cheerfully pilfering the best and most exciting elements of the genre – the Necronomicon, Cthulhu, Herbert West – and deftly bringing them together, Mr Davenport has written a fantastically pulpy, fists-swinging, guns-blazing, magical lightning-hurling action-adventure that readily proves that not all Mythos tales need to be grim, foreboding and often achingly depressing in order to be successful or authentic; Davenport shows that it is possible to use all of the tropes of the genre, and be faithful to them, while still producing an incredibly enjoyable adventure. The Statement of Andrew Doran is a credit to both the author and the publisher – once again the fantastic Crossroad Press – and I cannot recommend this heartily enough; I greatly look forward to reading the sequel and any other books that come in the series.
The Timeless Enemy
by Jesse Teller
When I was a boy, my parents took me to the movies. This was back when we had no money. No money at all. We had to fight to get food on the table and we were always strapped. Well somehow, my parents found the money and the time to take us to the movies, and I saw Sleeping Beauty.
I don’t remember much at all. Colors, I think, is all I could take away from it. I was about six and I had no recollection of the story or the images really, but I do remember very distinctly the dragon. I remember the colors, the breath, and the black. I remember this tiny man striving to fight it, and the way it seemed impossible. I remember thinking no force in the world could rival a dragon, and that is all I took from it.
Years later, I was watching TV in the morning on a Saturday, and I saw Bilbo Baggins take the first steps of his journey. The artistry of it consumed me, the way those particular animation artists moved the characters across the screen. They were the same animators that did The Last Unicorn and I will never forget the way they drew the line. The movie The Hobbit was fun until Bilbo and I found ourselves at the feet of Smaug.
So huge that dragon was, nothing Bilbo could do could ever stack up. There was no weapon to grasp to bring death to that monster. No hope, however slight, could be held when the idea of fighting that beast was at hand.
I do not accept the death Tolkien gave to his god of dragons. It is too convenient, too simple. No one arrow ever made could take down the beast I saw in that cavern, no matter how well shot, no matter the target.
I remember thinking if ever a power could exist that could rival a being that great, it would have to be me who found it. No other creator could reach within and pluck out the shred of hope that stood up to a creature so mighty.
Well, of course, I was wrong. Writers and artists have been killing dragons as long as dragons have been around. St. George cast one down centuries before I was born, and people have been doing it ever since. But Smaug stayed supreme in my mind, a creature of such immense power that no one dare stand before him had they not a ring of power.
So then I set to work. I began, time after time, crafting a hero or heroine strong enough to crush the monumental monsters of my mind. Soon wizards. Then warriors. Then one after the next, I began to put together an army of people and beings so invincible that they could stand up to Smaug. They could face the Nefarious, the Tempest and the Wrath of the greatest forces of darkness that any mind could find. Any mind anywhere. With this devotion to craft and heart of a creator, I plumbed the darkness within my mind to find magic.
When I hit teenage years, I wanted warriors. Arislan, Aragorn. Caramon Majere. I found Mycenae Kark and Sai Sibbius Summerstone. One after the next, I sought and found one swords smith, then another, to battle the monoliths of my mind. Twenties found assassins. Thirties, barbarians. One great hero after the next filled my mind, always with one goal in sight.
Pulverize the immense. Bring down the invincible. I write high fantasy. If that means I am not grimdark, then so be it.
There is a boy in here, deep where no one can find him. He is fighting a monster, a monster deeply rooted in the fiber of his mind. That little boy will not let me go small. He has a nemesis. He has a nightmare, and one after the other, he will pump out the mighty and the brave to bring it down. I have never killed Smaug. He is, as far as, I know unkillable.
But Rayph Ivoryfist would get close. Smear Kond could sneak up on him. Dreark would make Smaug tremble. I fear that somehow the mighty, world-moving powers within my books will make me less grim, that I might lose some street cred. I might have readers who shrug and drop me, thinking they want lower fantasy than I am prepared to give them.
To them I say, please forgive. There is a monster in here. He scares me. I must fight him the best I can. Smaug is watching. Smaug is waiting.
You can follow Jesse at his blog at https://jesseteller.com/
Charles over at Booknest.eu had some really awesome things to say about the newest installment of Broken Nights, Broken Nights: Strange Worlds!
Superhero fiction is a niche genre in a niche genre. Superheroes thrive in comic books, video games, and movies but aren’t so very popular in prose fiction. Perhaps because it’s such a visual medium but I think it’s more there’s just never been an iconic example of the genre. Despite this, there’s some truly great examples of superhero fiction which I’ve been proud to review. Things like Wearing the Cape, Origins of a D-List Supervillain, Soon I Will Be Invincible, and Villains Rule.
Broken Nights is one of those series. Is it Citizen Kane? No, but it’s a great book which has created its own superhero universe and is slowly building it up to be something huge. In the previous book, we had Jason Night try to become Darden Valley’s answer to Batman only to accidentally stumble onto a plan to take over the world. Succeeding at extreme cost, he’s only now just recovered six months later–only to find out he’s unwittingly inspired an endless stream of superpowered copycats.
You can read the rest of his review over at Booknest by going here: http://booknest.eu/reviews/charles/1112-brokennightsstrangeworlds
Thanks for the Great Review, Charles!
All I can say about it is: “It’s about damned time.”
I originally had the idea almost two years ago as a kind of joke with author Kathryn Daugherty, who’s sales pitch for her books is “A penny from Heaven.” When we sat in booths near each other and I would see people ignore her and keep walking, I’d say “It’s better than a Dollar from the Devil,” and rarely guilt anyone into doing anything.
While in another really boring sales meeting at my former employer, I had the idea that every sales industry is kind of the same, and they probably all have to deal with the same issues, from boring meetings to cold call rejections. That thought led to the humorous idea of a man who’s part of the Soul-Trading industry and Satan’s Salesman was finally conceived.
Well, the first draft is done, and I couldn’t be happier.
Here’s the synopsis. If you want to be a beta reader, comment and I’ll email you an unedited first draft to let me know what you think.
Expect one HELL of a Deal!
Shane’s a damned good salesman, but when a promotion that he spent years earning gets taken away only hours after getting it, he realizes that sometimes it doesn’t matter how good you are at what you do.
But that’s not good enough for Shane.
Confronting the person that he believes is responsible for his situation, Shane learns that there’s another, quieter, sales organization that he’s competing against:
At Perdition Investments the products are whatever you want the most, but the cost is your Soul.
Shane has a chance to use his excellent skills in an entirely new way, but at what cost? Can you lose your soul by trading people for theirs? What’s the price for success?
Shane’s about to learn that, in these contracts, the Devil is in the Details…